![]() Dozens of preset acoustic spaces (impulse responses) are included, and users can simply drag and drop any standard audio file into ProVerb’s waveform display to add their own. ProVerb is a CPU-efficient convolution reverb plug-in for DP6 that delivers the sound of stunningly realistic acoustic spaces to any track or mix. Users can freely move tracks between the two models (takes and tracks), which is especially helpful for working with projects created in earlier versions where takes may have been spread across multiple tracks. The “Turn All Takes Into Tracks” and “Absorb Tracks” commands allow users to explode takes into tracks, or collapse tracks into takes, respectively - although in many respects takes behave just like tracks, with their own play/mute buttons, output assignements, automation settings and so on. Users can then use the resulting comp track as yet another take itself, which allows users to “comp the comp” by incorporating any portion of an existing comp take into a new comp take. In the resulting comp take, crossfades can be applied, along with all standard operations for editing audio regions in a DP track. Using the new Take Tool, users can easily make split points across all takes and then simply click the desired section from each take to quickly create a composite (comp) take consisting of the sections selected from each take. Now users can choose “Show Takes” to view all takes side by side. Previous versions of Digital Performer allowed users to record multiple takes into a track, and then choose one take in the track for playback and editing. Universal track selector - The unified Track Selector conserves screen space by offering one track selector that updates when you switch to a different window tab.ĭP6’s new track comping features are very flexible and offer limitless comping possibilities.New inspector palettes include Snap Info, Event Info, Cursor Info, Selection Info and others. Inspector palettes - Important settings and information now appear in inspector palettes, which can float as independent windows or “pop into” the consolidated window as sidebar cells with tabs.Window tabs - Users can create as many tabs as they wish in any cell in the consolidated window, even sidebar cells.Live window resizing allows users to see the contents of the window as it is resized. Zooming and navigation controls have been unified throughout. Streamlined window design - Windows look cleaner and information is easier to see.Vertically resizable track list - Gives users a better look at each track’s settings and graphic overview.In addition to its updated “look and feel”, Digital Performer 6 has been streamlined to allow users to work faster and for new users to learn the program quickly and easily. the ability to “bounce and burn” directly to an audio CD.better support for third-party Audio Unit (AU) plug-ins.enhanced support for operation as a software front end for Pro Tools HD systems.support for interleaved broadcast WAVE audio files.XML file interchange with Final Cut Pro.Rewire the resource intensive anyway.Here’s a sneak preview of MOTU‘s Digital Performer 6, a major upgrade to MOTU’s audio sequencer software. I use it with Reason: found out of the box, no problem, easy. Very good thanks to integration of VST "VST Warper", damage to this device that we should take advantage of VST and VSTi. but it helps out okay).Įrgonomics a bit special but you get done quickly. it really could be compared to treatment a little bit hard. ), markers truly effective, dynamic treatment correct (it's still the software anyway and yes. The effects are truly superior to any Cubase (I speak knowingly. Having tried Cubase SX (v 1,2,3), Nuendo, and feels a bit Protools LE, there is no picture, value for money issue is exellent. Very stable, shows us buffer overload stops. c ' is the killing in terms of recording quality. but on a pair of track quality convertos is truly superior, ignoring the fact that my computer is the galley with this interface. I have a friend who uses a 828 MKII, no worries, it rocks! I just I manage an M-Audio FireWire 18/14 is too powerful. Works well except that my sound card converters are super loud (very bad this card). and MAYA 44 USB AudioTrack (it's job right? ). Install no worries, no worries of incompatibility. I use the 4.5 but I rather not found for the 4.5 on the site.
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